Dating game cia
He's had some of the pieces of the puzzle, but not all of them.
See more » One of Charlie Kaufman's more overlooked and underrated screenplays, ' Confessions of a Dangerous Mind' may have been something of a departure from the high-concept experimentalism that made his previous brainchildren, ' Being John Malkovich' and ' Adaptation' (a masterpiece and a near-masterpiece, respectively) such striking breaths of fresh air, but on no account should its ability to engage and entertain on those strengths of its own be underestimated.
We all remember Chuck Barris as the creator of some of television's most successful - albeit notoriously mind-numbing - game shows: `The Dating Game,' `The Newlywed Game,' and `The Gong Show.' But did you know that he was also a hit man for the CIA?
Well, that's what he claims, straight from his own `unauthorized autobiography' entitled `Confessions of a Dangerous Mind,' which has now been made into a movie by director George Clooney and writer Charlie Kaufman. In the world of movies, who says fact isn't stranger than fiction?
Whether the film is really a true story or merely a grand lark perpetrated on an increasingly credulous audience, the fact is that `Confessions of a Dangerous Mind' turns out to be a thoroughly entertaining, utterly loony piece of original filmmaking.`Confessions of a Dangerous Mind' marks an auspicious debut for Clooney as a director, who, in his work behind the camera, demonstrates a thorough command of vision and style.
Television made him famous, but his biggest hits happened off screen.
It sits back and lets the scenario unfold without question and does so with such considerable spirit and vigour that it's hard not to get lured in and pulled along for the ride.
Barris finds it impossible to make a real, meaningful connection to another human being, so twisted has he become in his value system and bizarre lifestyle.
Morgan) providing interviews for the film, interviews which hint at the dark possibility that the basis of the story might indeed be factual, given the kind of person these people claim Barris is.
This gives the film a kind of pseudo-documentary realism that heightens the verisimilitude of what we are seeing on screen.
The sense of dislocation this technique creates perfectly reflects the mental split occurring in Barris' own disturbed psyche.
This style is further enhanced by the use of slightly off-kilter camera angles, color filtering and sepia tones in some of the shots.
It also draws a fine contrast between the two separate pursuits that Chuck Barris is called to follow the game show scenes are colourful, light-hearted fun, the assassin scenes murky and deliciously paranoid, and Sam Rockwell, at the helm as our savvy and hapless main man, has the timing, the energy and the appeal to emerge from the two as both a comic figure and a tragic one.